Brutalist architecture (a style frequented by Le Corbusier and Paul Rudolph) raised the profile of concrete back in the 1950s to the 1970s. “Concrete was functional and affordable,” interiors journalist Kate Watson-Smyth has explained, “which made it ideal for government buildings, shopping centres, and crucially, new housing stock.”
Nowadays though, it’s less admired for its practicality and more for its unexpected beauty as seen in celebrity photographer Douglas Friedman’s (@thefacinator) stunning shot of Eero Saarinen’s TWA Flight Centre. The Segel House by John Lautner – once the home of Courtney Cox and David Arquette – was Architectural Digest France’s (@ad_magazine) homage to the material and a reminder of New York-based artist Carol Bove’s 2013 work Visible Things and Colors (posted by @carrie.hayden) proves that there’s still interest in this under-appreciated medium.